Play will set scene before big clash
July 30, 2008
By Edward Husar
The festive atmosphere in
The play, "Mud, Mystics and Molasses: Lincoln
and Douglas Come to
The play will be free and open to the public.
Seating will be on a first-come, first-served basis, with the doors opening at
6:30 p.m.
"There are 500 seats, and our hope is to fill
the place," said Reg Ankrom,
a member of
"The special nature of it is it's going to be
produced one time, and those who see it will have seen a sort of conceptual art
because it may not be performed again until the bicentennial of the debates (in
2058)," Ankrom said.
"Our hope is that people will come and pass
it along as part of our oral history of this celebration."
The play is the creation of
Bradbury, a longtime educator, most recently has
been a teacher at
But Bradbury also has been making a name for
himself as the author of a growing number of plays related to Abraham Lincoln,
with an emphasis on
The fast-paced narrative and musical play takes a
lighthearted look at some of the issues and events that brought Lincoln and
Douglas to
Eight characters and a musician -- Bradbury
himself, playing period tunes on either an accordion or piano -- make up the
cast. The stars of the show will be Lincoln and Douglas themselves, speaking
snippets of actual dialogue drawn from newspapers, books and other historical
sources from the mid-1800s.
Bradbury said he tried to make the play
interesting by focusing on the atmosphere in
Mud was everywhere on the day of the debate, and
some youngsters, including a fictional character in the play named Travis,
profited by charging 5 cents to help push wagons out of the muck.
Bradbury said he tried to blend historical
accounts with music and lighthearted anecdotes to help make the Lincoln-Douglas
debate come alive for playgoers.
"I hope it's very accessible to people who
know very little about the debates," he said.
The play will be presented in a "reader's
theater" style. Cast members will face the audience and read from scripts
with modest staging.
"I find that reader's theater engages the
audience more readily than regular theater with a staged piece, because the
actor is looking right at you, practically on top of you, and frankly you don't
have the distractions," he said.
Bradbury said he honed his playwriting skills
through years of trial and error at seeing what works and what doesn't on
stage.
"I basically learned to write plays by
sitting in the audience of my plays and dying," he said with a smile.
Bradbury was in
"This is their contribution to the
sesquicentennial promotion," he said.